![\"zoya-1_500pt\"](\"http:\/\/zoyafalkova.com\/wp-content\/uploads\/2015\/12\/Zoya-1_500pt.jpg\")
<\/a><\/figure>\n<\/p>\n
<\/p>\n
Zoya Falkova<\/strong><\/h2>\n<\/p>\n
<\/p>\n
Born in 1982<\/strong> in Alma-Ata (now Almaty), USSR, Kazakh Republic<\/p>\nM.Arch., Kazakh Leading Academy of Architecture and Civil Engineering<\/a><\/p>\nLanguages: Russian – fluent, English – Intermediate\u00a0<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
CV, eng, docx<\/a><\/p>\n
\nSolo exhibitions:<\/strong><\/h1>\n<\/p>\n
<\/p>\n
2018<\/strong> – Disappearing Peninsula \/ Southern Siberia<\/a>, Kyiv, Ukraine<\/p>\n<\/p>\n
<\/p>\n
2017<\/strong> –PLAYINGTHEWOMAN<\/a>, Esentai gallery, Almaty
curator – Valeria Ibraeva(Almaty)<\/p>\n<\/p>\n
<\/p>\n
Group exhibitions:\u00a0<\/strong><\/h1>\n<\/p>\n
<\/p>\n
2020<\/h3>\n
Food for thought<\/strong>, ARTBATFEST, Almaty, Kazakhstan<\/p>\n50 shades of Blue<\/strong>, Artmeken Gallery, Almaty, Kazakhstan<\/p>\nFirst of April Competition-2020<\/strong>, Bishkek, Kyrgyzstan<\/p>\nConnections<\/strong>, STYQ festival, Artmeken Gallery, Almaty, Kazakhstan<\/p>\n<\/p>\n
<\/p>\n
This world is not invented by us: the female word and gender agenda<\/a><\/strong>, WINZAVOD Contemporary Art Center, Moscow, Russia<\/p>\n<\/p>\n
<\/p>\n
2019<\/h3>\n
<\/p>\n
<\/p>\n
1st<\/sup> Feminnale of
contemporary art<\/strong>, Bishkek, Kyrgyzstan<\/p>\n<\/p>\n
<\/p>\n
Living Memory<\/strong>, Open mind project, Almaty Museum, Almaty, Kazakhstan<\/p>\n<\/p>\n
<\/p>\n
Death. Longing. Love.<\/strong>,
Laboratoria C, Bishkek, Kyrgyzstan<\/p>\n<\/p>\n
<\/p>\n
The Method of Creation\u2122<\/strong>, Electromuseum, Moscow, Russia<\/p>\n<\/p>\n
<\/p>\n
Lanzarote Art Festival <\/strong>Lanzarote, LAS PALMAS<\/p>\n<\/p>\n
<\/p>\n
PortraitNow!, <\/strong>Almaty, Kazakhstan<\/p>\n<\/p>\n
<\/p>\n
Wanted pavilion<\/strong>, non-official pavilion of Kazakhstan, Venice, Italy<\/p>\n<\/p>\n
<\/p>\n
PortraitNow!<\/a>, Denmark, Copenhagen<\/p>\n<\/p>\n
<\/p>\n
Sheroes, <\/strong>@FemAgora,
Almaty, Kazakhstan<\/p>\n<\/p>\n
<\/p>\n
PortraitNow!<\/a>, Lviv, Ukraine<\/p>\n<\/p>\n
<\/p>\n
Bad Jokes<\/a>, PlatformA, Astana, Kazakhstan
curator – Valeria Ibraeva<\/p>\n<\/p>\n
<\/p>\n
Parabiennale,<\/a> Astana, Kazakhstan<\/p>\n<\/p>\n
<\/p>\n
2018<\/h3>\n
<\/p>\n
<\/p>\n
Bad Jokes<\/a>, Artmeken gallery, Almaty, Kazakhstan
curator – Valeria Ibraeva<\/p>\n<\/p>\n
<\/p>\n
The Eurasian Utopia: Post Scriptum<\/a>, Suwon, South Korea
curator – Yulia Sorokina<\/p>\n<\/p>\n
<\/p>\n
Bread&Roses<\/a>, Berlin, Germany
curators – David Elliott, Almagul Menlibayaeva, and Dr. Rachel Rits-Volloch<\/p>\n<\/p>\n
<\/p>\n
Reload<\/a>, Astana, Kazakhstan
curator – Aigul Ibraeva<\/p>\n<\/p>\n
<\/p>\n
On the corner<\/a>, Tselinny, Almaty, Kazakhstan
curator – Meruert Kalieva<\/p>\n<\/p>\n
<\/p>\n
There is nothing to see at the basement<\/a>, Almaty, Kazakhstan<\/p>\n<\/p>\n
<\/p>\n
In\/visible: Gender and Art in Azerbaijan and Central Asia<\/a>, Prague, Czech Republic<\/p>\n<\/p>\n
<\/p>\n
Blue Containe<\/a>r, Duisburg\/Dusseldorf, Germany
curator – Francesca Jordan<\/p>\n<\/p>\n
<\/p>\n
Red Pill<\/a>, Bishkek, Kyrgyzstan
curators – Laboratoria C<\/p>\n<\/p>\n
<\/p>\n
2017<\/h3>\n
<\/p>\n
<\/p>\n
QWAS – Migrating Dialogue \/\/ bilocal transcultural exhibition \/\/<\/a>, Almaty, Kazakhstan \/ Zurich, Switzerland<\/p>\n<\/p>\n
<\/p>\n
Human rights. 20 years after.<\/a> Artmeken gallery,\u00a0 Almaty, Kazakhstan
curator – Valeria Ibraeva<\/p>\n<\/p>\n
<\/p>\n
Young artists exhibition<\/a>, ARTBATFEST2017<\/a>, Almaty, Kazakhstan
curator – Vladislav Sludskiy<\/p>\n<\/p>\n
<\/p>\n
Odessa biennale of contemporary art<\/a><\/p>\n<\/p>\n
<\/p>\n
Jugooceanje 2017<\/a>, DAC, Kotor, Montenegro
curator – Yuriy Shabelnikov<\/p>\n<\/p>\n
<\/p>\n
Embracing the neighborhood<\/a>, DAC, Kotor, Montenegro
curator – Alexander Zhuravlev<\/p>\n<\/p>\n
<\/p>\n
Limited liability pavilion<\/a>\u00a03.0 , Venice,\u00a0Italy
curators – Vladislav Sludsky(NY) and\u00a0Olga Vesselova(Almaty)<\/p>\n<\/p>\n
<\/p>\n
Limited liability pavilion<\/a>\u00a02.0 , Kiev, Ukraine
curators – Vladislav Sludsky(NY) and Nikita Kadan(Kiev)<\/p>\n<\/p>\n
<\/p>\n
First of April Competition-2017<\/a>, Bishkek
curators – Ulan Japarov, Chingiz Aydarov, Marat Raiymkulov<\/p>\n<\/p>\n
<\/p>\n
2016<\/h3>\n
<\/p>\n
<\/p>\n
The Open International Festival of Contemporary Art “Parallels”<\/a>, Kurgan, Russia<\/p>\n<\/p>\n
<\/p>\n
\u00abChanges. Time research\u00bb exhibition<\/a>, Almaty
“MNEMOZINA’S DREAM” videoart.<\/em><\/p>\n<\/p>\n
<\/p>\n
Luciano Benetton Collection<\/a>\u00a0<\/span>, Italy-Kazakhstan
Curator – Valeria Ibraeva (Almaty)<\/p>\n<\/p>\n
<\/p>\n
“Kotor\u044b\u0439” exhibition of\u00a0DAC Summer School<\/a>, Kotor, Montenegro.
curator – Petar \u0106ukovi\u0107<\/p>\n<\/p>\n
<\/p>\n
Astana Artfest2016<\/a>,\u00a0 Astana, Kazakhstan<\/p>\n<\/p>\n
<\/p>\n
“Symbiosis” exhibition,<\/a> botanic garden, ARTBATFEST2016<\/a>, Almaty, Kazakhstan
curator – Yana Malinovskaya<\/p>\n<\/p>\n
<\/p>\n
Young artists exibition<\/a>, tram depo, ARTBATFEST2016<\/a>, Almaty, Kazakhstan
curator – Yuliya Sorokina<\/p>\n<\/p>\n
<\/p>\n
ArtEnergy festival<\/a>, Almaty<\/p>\n<\/p>\n
<\/p>\n
Post\/\u041d\u0430\u0447\u0430\u043b\u043e<\/a>, Almaty
curator – Alexandra Tsay(Almaty)<\/p>\n<\/p>\n
<\/p>\n
2015<\/h3>\n
<\/p>\n
<\/p>\n
\u00ab8th River\u00bb exhibition<\/a>,\u00a0installation.\u00a0\u00a0Almaty.<\/em>
Curator – Yana Malinovskaya<\/p>\n<\/p>\n
<\/p>\n
\u00a0\u00abEurasia\u00bb exhibition of Kazakhstan art,<\/a> Erart Museum, Saint Petersburg, Russia<\/p>\n<\/p>\n
<\/p>\n
\u00abWe Rivers\u00bb exhibition<\/a>,\u00a0 \u00a0Almaty.<\/em>
Curator – Yana Malinovskaya<\/p>\n<\/p>\n
<\/p>\n
\u00abThe Feast\u00bb exhibition<\/a>, Almaty
Curator – Yana Malinovskaya<\/p>\n<\/p>\n
<\/p>\n
2014<\/h3>\n
<\/p>\n
<\/p>\n
\u00abLife is a legend\u00bb exhibition of Kazakhstan art<\/a>, Strasbourg, France
Exhibition curatorship: Dimitri Konstantinidis, director of Apollonia, Daria Evdokimova, artistic projects manager, Apollonia, and Estelle Pietrzyk, director of MAMCS<\/p>\n<\/p>\n
<\/p>\n
2013<\/h3>\n
<\/p>\n
<\/p>\n
\u201cSecond gender\u201d exhibition<\/a>,\u00a0\u00a0Almaty.
Curator – Maria Vilkoviskaya (Almaty)<\/p>\n<\/p>\n
<\/p>\n
\u201cGLACIER MUSIC\u201d project & contest<\/a>,\u00a0 Almaty-Tashkent-Dushanbe-Bishkek
Curator – Lillevan (Germany)<\/p>\n<\/p>\n
<\/p>\n
public art festival ARTBATFEST<\/a>:<\/p>\n<\/p>\n
<\/p>\n
ALA Legal graffiti wall<\/a>,\u00a0 \u00a0Almaty.<\/em>
Curator \u2013 Kendal Henry(NYC)<\/p>\n<\/p>\n
<\/p>\n
\u201cSeashell hearing\u201d exhibition<\/a>,\u00a0 \u00a0Almaty.\u00a0<\/em>
Curator \u2013 Gulnur\u00a0Kulkybaeva. \u00a0<\/em><\/p>\n<\/p>\n
<\/p>\n
\u201cRape of Europa\u201d exhibition<\/a>,\u00a0 Almaty.<\/em>
Curator – Valeria Ibraeva (Almaty)<\/p>\n<\/p>\n
<\/p>\n
\u201cWomen\u2019s deal\u201d exhibition<\/a>,\u00a0 Almaty.<\/em>
Curator –\u00a0Maria Vilkoviskaya (Almaty)<\/p>\n<\/p>\n
<\/p>\n
\u00a0<\/h3>\n
<\/p>\n
<\/p>\n
2012<\/h3>\n
<\/p>\n
<\/p>\n
\u00a0public art festival ARTBATFEST<\/a>,\u00a0 Almaty.
Curator – Dmitriy Pilikin (SPb)<\/p>\n<\/p>\n
<\/p>\n
2011<\/h3>\n
<\/p>\n
<\/p>\n
video art exhibitions \u201cClimat&arts\u201d in Tashkent<\/a>, Bishkek, Dushanbe, Almaty<\/p>\n<\/p>\n
<\/p>\n
public art festival ARTBATFEST<\/a>, Almaty. Illustrations<\/p>\n<\/p>\n
<\/p>\n
Omnibus ensemble\u2019s (Tashkent) \u201cMnemozina\u201d project, videoartist<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
\u00a0<\/p>\n
<\/p>\n
<\/p>\n
\n<\/p>\n
<\/p>\n
Poetry<\/strong><\/h1>\n<\/p>\n
<\/p>\n
2013-2014, 2015-2016 Student of Open Literature School Almaty<\/a><\/p>\n<\/p>\n
<\/p>\n
2019<\/h3>\n
Publication at \u00abDaktil\u00bb #1<\/strong> literary magazine<\/p>\nNominated to \u00abPoetry\u00bb(\u00ab<\/strong>\u041f\u043e\u044d\u0437\u0438\u044f<\/strong>\u00bb) prize, <\/strong>Moscow, Russia<\/p>\nNazarbayev University, Poetry Seminar, <\/strong>Astana, Kazakhstan<\/p>\nNazarbayev University, <\/strong>Poetry Readings<\/strong>, <\/strong>Astana, Kazakhstan<\/p>\n2018<\/h3>\n
<\/p>\n
<\/p>\n
Under one cover,<\/a> qweer poetry collection<\/p>\nTEDxAbayStWomen, <\/strong>Almaty, Kazakhstan<\/p>\nPoetry Readings<\/strong>, Public Library, Lawrence, KS, US<\/p>\nUniversity of Kansas,<\/strong> Poetry Seminar, <\/strong>Lawrence, KS, US<\/p>\n<\/p>\n
<\/p>\n
2017<\/h3>\n
<\/p>\n
<\/p>\n
Big Almaty poetry SLAM<\/a><\/p>\n<\/p>\n
<\/p>\n
Illustrated guide to the meanings of Almaty<\/a><\/p>\n<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
2016<\/h2>\n
<\/p>\n
<\/p>\n
poetry&illustrations in “YSSO ODYN\u00a0” poetry paper, #5<\/a><\/p>\n<\/p>\n
<\/p>\n
“Polutona”<\/a><\/p>\n<\/p>\n
<\/p>\n
“\u041b\u0438terra\u0442\u0443\u0440\u0430”<\/a><\/p>\n<\/p>\n
<\/p>\n
\u00abLiteraturnaya Alma-Ata\u00bb\u00a0literary miscellany<\/a><\/p>\n<\/p>\n
<\/p>\n
2015<\/h2>\n
<\/p>\n
<\/p>\n
“Polutona”<\/a><\/p>\n<\/p>\n
<\/p>\n
“Polifonia”<\/a> International Literature Festival, Almaty<\/p>\n<\/p>\n
<\/p>\n
2014<\/h2>\n
<\/p>\n
<\/p>\n
Open Literature School of Almaty<\/a>(OLSA), Poetry workshop<\/p>\n<\/p>\n
<\/p>\n
OLSA students\u2019 best texts issue<\/a>.<\/p>\n<\/p>\n
<\/p>\n
“Polifonia”<\/a> International Literature Festival, Almaty<\/p>\n<\/p>\n
<\/p>\n
Contacts<\/strong><\/a><\/h2>\n<\/p>","protected":false},"excerpt":{"rendered":"
Zoya Falkova Born in 1982 in Alma-Ata (now Almaty), USSR, Kazakh Republic M.Arch., Kazakh Leading Academy of Architecture and Civil Engineering Languages: Russian – fluent, English – Intermediate\u00a0…<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ru","en"],"languages":{"ru":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":295,"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1051,"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/pages\/2\/revisions\/1051"}],"wp:attachment":[{"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
M.Arch., Kazakh Leading Academy of Architecture and Civil Engineering<\/a><\/p>\n Languages: Russian – fluent, English – Intermediate\u00a0<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n CV, eng, docx<\/a><\/p>\n <\/p>\n <\/p>\n 2018<\/strong> – Disappearing Peninsula \/ Southern Siberia<\/a>, Kyiv, Ukraine<\/p>\n <\/p>\n <\/p>\n 2017<\/strong> –PLAYINGTHEWOMAN<\/a>, Esentai gallery, Almaty <\/p>\n <\/p>\n <\/p>\n <\/p>\n Food for thought<\/strong>, ARTBATFEST, Almaty, Kazakhstan<\/p>\n 50 shades of Blue<\/strong>, Artmeken Gallery, Almaty, Kazakhstan<\/p>\n First of April Competition-2020<\/strong>, Bishkek, Kyrgyzstan<\/p>\n Connections<\/strong>, STYQ festival, Artmeken Gallery, Almaty, Kazakhstan<\/p>\n <\/p>\n <\/p>\n This world is not invented by us: the female word and gender agenda<\/a><\/strong>, WINZAVOD Contemporary Art Center, Moscow, Russia<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n 1st<\/sup> Feminnale of <\/p>\n <\/p>\n Living Memory<\/strong>, Open mind project, Almaty Museum, Almaty, Kazakhstan<\/p>\n <\/p>\n <\/p>\n Death. Longing. Love.<\/strong>, <\/p>\n <\/p>\n The Method of Creation\u2122<\/strong>, Electromuseum, Moscow, Russia<\/p>\n <\/p>\n <\/p>\n Lanzarote Art Festival <\/strong>Lanzarote, LAS PALMAS<\/p>\n <\/p>\n <\/p>\n PortraitNow!, <\/strong>Almaty, Kazakhstan<\/p>\n <\/p>\n <\/p>\n Wanted pavilion<\/strong>, non-official pavilion of Kazakhstan, Venice, Italy<\/p>\n <\/p>\n <\/p>\n PortraitNow!<\/a>, Denmark, Copenhagen<\/p>\n <\/p>\n <\/p>\n Sheroes, <\/strong>@FemAgora, <\/p>\n <\/p>\n PortraitNow!<\/a>, Lviv, Ukraine<\/p>\n <\/p>\n <\/p>\n Bad Jokes<\/a>, PlatformA, Astana, Kazakhstan <\/p>\n <\/p>\n Parabiennale,<\/a> Astana, Kazakhstan<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Bad Jokes<\/a>, Artmeken gallery, Almaty, Kazakhstan <\/p>\n <\/p>\n The Eurasian Utopia: Post Scriptum<\/a>, Suwon, South Korea <\/p>\n <\/p>\n Bread&Roses<\/a>, Berlin, Germany <\/p>\n <\/p>\n Reload<\/a>, Astana, Kazakhstan <\/p>\n <\/p>\n On the corner<\/a>, Tselinny, Almaty, Kazakhstan <\/p>\n <\/p>\n There is nothing to see at the basement<\/a>, Almaty, Kazakhstan<\/p>\n <\/p>\n <\/p>\n In\/visible: Gender and Art in Azerbaijan and Central Asia<\/a>, Prague, Czech Republic<\/p>\n <\/p>\n <\/p>\n Blue Containe<\/a>r, Duisburg\/Dusseldorf, Germany <\/p>\n <\/p>\n Red Pill<\/a>, Bishkek, Kyrgyzstan <\/p>\n <\/p>\n <\/p>\n <\/p>\n QWAS – Migrating Dialogue \/\/ bilocal transcultural exhibition \/\/<\/a>, Almaty, Kazakhstan \/ Zurich, Switzerland<\/p>\n <\/p>\n <\/p>\n Human rights. 20 years after.<\/a> Artmeken gallery,\u00a0 Almaty, Kazakhstan <\/p>\n <\/p>\n Young artists exhibition<\/a>, ARTBATFEST2017<\/a>, Almaty, Kazakhstan <\/p>\n <\/p>\n Odessa biennale of contemporary art<\/a><\/p>\n <\/p>\n <\/p>\n Jugooceanje 2017<\/a>, DAC, Kotor, Montenegro <\/p>\n <\/p>\n Embracing the neighborhood<\/a>, DAC, Kotor, Montenegro <\/p>\n <\/p>\n Limited liability pavilion<\/a>\u00a03.0 , Venice,\u00a0Italy <\/p>\n <\/p>\n Limited liability pavilion<\/a>\u00a02.0 , Kiev, Ukraine <\/p>\n <\/p>\n First of April Competition-2017<\/a>, Bishkek <\/p>\n <\/p>\n <\/p>\n <\/p>\n The Open International Festival of Contemporary Art “Parallels”<\/a>, Kurgan, Russia<\/p>\n <\/p>\n <\/p>\n \u00abChanges. Time research\u00bb exhibition<\/a>, Almaty <\/p>\n <\/p>\n Luciano Benetton Collection<\/a>\u00a0<\/span>, Italy-Kazakhstan <\/p>\n <\/p>\n “Kotor\u044b\u0439” exhibition of\u00a0DAC Summer School<\/a>, Kotor, Montenegro. <\/p>\n <\/p>\n Astana Artfest2016<\/a>,\u00a0 Astana, Kazakhstan<\/p>\n <\/p>\n <\/p>\n “Symbiosis” exhibition,<\/a> botanic garden, ARTBATFEST2016<\/a>, Almaty, Kazakhstan <\/p>\n <\/p>\n Young artists exibition<\/a>, tram depo, ARTBATFEST2016<\/a>, Almaty, Kazakhstan <\/p>\n <\/p>\n ArtEnergy festival<\/a>, Almaty<\/p>\n <\/p>\n <\/p>\n Post\/\u041d\u0430\u0447\u0430\u043b\u043e<\/a>, Almaty <\/p>\n <\/p>\n <\/p>\n <\/p>\n \u00ab8th River\u00bb exhibition<\/a>,\u00a0installation.\u00a0\u00a0Almaty.<\/em> <\/p>\n <\/p>\n \u00a0\u00abEurasia\u00bb exhibition of Kazakhstan art,<\/a> Erart Museum, Saint Petersburg, Russia<\/p>\n <\/p>\n <\/p>\n \u00abWe Rivers\u00bb exhibition<\/a>,\u00a0 \u00a0Almaty.<\/em> <\/p>\n <\/p>\n \u00abThe Feast\u00bb exhibition<\/a>, Almaty <\/p>\n <\/p>\n <\/p>\n <\/p>\n \u00abLife is a legend\u00bb exhibition of Kazakhstan art<\/a>, Strasbourg, France <\/p>\n <\/p>\n <\/p>\n <\/p>\n \u201cSecond gender\u201d exhibition<\/a>,\u00a0\u00a0Almaty. <\/p>\n <\/p>\n \u201cGLACIER MUSIC\u201d project & contest<\/a>,\u00a0 Almaty-Tashkent-Dushanbe-Bishkek <\/p>\n <\/p>\n public art festival ARTBATFEST<\/a>:<\/p>\n <\/p>\n <\/p>\n ALA Legal graffiti wall<\/a>,\u00a0 \u00a0Almaty.<\/em> <\/p>\n <\/p>\n \u201cSeashell hearing\u201d exhibition<\/a>,\u00a0 \u00a0Almaty.\u00a0<\/em> <\/p>\n <\/p>\n \u201cRape of Europa\u201d exhibition<\/a>,\u00a0 Almaty.<\/em> <\/p>\n <\/p>\n \u201cWomen\u2019s deal\u201d exhibition<\/a>,\u00a0 Almaty.<\/em> <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n \u00a0public art festival ARTBATFEST<\/a>,\u00a0 Almaty. <\/p>\n <\/p>\n <\/p>\n <\/p>\n video art exhibitions \u201cClimat&arts\u201d in Tashkent<\/a>, Bishkek, Dushanbe, Almaty<\/p>\n <\/p>\n <\/p>\n public art festival ARTBATFEST<\/a>, Almaty. Illustrations<\/p>\n <\/p>\n <\/p>\n Omnibus ensemble\u2019s (Tashkent) \u201cMnemozina\u201d project, videoartist<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n \u00a0<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n 2013-2014, 2015-2016 Student of Open Literature School Almaty<\/a><\/p>\n <\/p>\n <\/p>\n Publication at \u00abDaktil\u00bb #1<\/strong> literary magazine<\/p>\n Nominated to \u00abPoetry\u00bb(\u00ab<\/strong>\u041f\u043e\u044d\u0437\u0438\u044f<\/strong>\u00bb) prize, <\/strong>Moscow, Russia<\/p>\n Nazarbayev University, Poetry Seminar, <\/strong>Astana, Kazakhstan<\/p>\n Nazarbayev University, <\/strong>Poetry Readings<\/strong>, <\/strong>Astana, Kazakhstan<\/p>\n <\/p>\n <\/p>\n Under one cover,<\/a> qweer poetry collection<\/p>\n TEDxAbayStWomen, <\/strong>Almaty, Kazakhstan<\/p>\n Poetry Readings<\/strong>, Public Library, Lawrence, KS, US<\/p>\n University of Kansas,<\/strong> Poetry Seminar, <\/strong>Lawrence, KS, US<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Big Almaty poetry SLAM<\/a><\/p>\n <\/p>\n <\/p>\n Illustrated guide to the meanings of Almaty<\/a><\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n poetry&illustrations in “YSSO ODYN\u00a0” poetry paper, #5<\/a><\/p>\n <\/p>\n <\/p>\n “Polutona”<\/a><\/p>\n <\/p>\n <\/p>\n “\u041b\u0438terra\u0442\u0443\u0440\u0430”<\/a><\/p>\n <\/p>\n <\/p>\n \u00abLiteraturnaya Alma-Ata\u00bb\u00a0literary miscellany<\/a><\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n “Polutona”<\/a><\/p>\n <\/p>\n <\/p>\n “Polifonia”<\/a> International Literature Festival, Almaty<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Open Literature School of Almaty<\/a>(OLSA), Poetry workshop<\/p>\n <\/p>\n <\/p>\n OLSA students\u2019 best texts issue<\/a>.<\/p>\n <\/p>\n <\/p>\n “Polifonia”<\/a> International Literature Festival, Almaty<\/p>\n <\/p>\n <\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Zoya Falkova Born in 1982 in Alma-Ata (now Almaty), USSR, Kazakh Republic M.Arch., Kazakh Leading Academy of Architecture and Civil Engineering Languages: Russian – fluent, English – Intermediate\u00a0…<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ru","en"],"languages":{"ru":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":295,"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1051,"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/pages\/2\/revisions\/1051"}],"wp:attachment":[{"href":"https:\/\/zoyafalkova.com\/en\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nSolo exhibitions:<\/strong><\/h1>\n
curator – Valeria Ibraeva(Almaty)<\/p>\nGroup exhibitions:\u00a0<\/strong><\/h1>\n
2020<\/h3>\n
2019<\/h3>\n
contemporary art<\/strong>, Bishkek, Kyrgyzstan<\/p>\n
Laboratoria C, Bishkek, Kyrgyzstan<\/p>\n
Almaty, Kazakhstan<\/p>\n
curator – Valeria Ibraeva<\/p>\n2018<\/h3>\n
curator – Valeria Ibraeva<\/p>\n
curator – Yulia Sorokina<\/p>\n
curators – David Elliott, Almagul Menlibayaeva, and Dr. Rachel Rits-Volloch<\/p>\n
curator – Aigul Ibraeva<\/p>\n
curator – Meruert Kalieva<\/p>\n
curator – Francesca Jordan<\/p>\n
curators – Laboratoria C<\/p>\n2017<\/h3>\n
curator – Valeria Ibraeva<\/p>\n
curator – Vladislav Sludskiy<\/p>\n
curator – Yuriy Shabelnikov<\/p>\n
curator – Alexander Zhuravlev<\/p>\n
curators – Vladislav Sludsky(NY) and\u00a0Olga Vesselova(Almaty)<\/p>\n
curators – Vladislav Sludsky(NY) and Nikita Kadan(Kiev)<\/p>\n
curators – Ulan Japarov, Chingiz Aydarov, Marat Raiymkulov<\/p>\n2016<\/h3>\n
“MNEMOZINA’S DREAM” videoart.<\/em><\/p>\n
Curator – Valeria Ibraeva (Almaty)<\/p>\n
curator – Petar \u0106ukovi\u0107<\/p>\n
curator – Yana Malinovskaya<\/p>\n
curator – Yuliya Sorokina<\/p>\n
curator – Alexandra Tsay(Almaty)<\/p>\n2015<\/h3>\n
Curator – Yana Malinovskaya<\/p>\n
Curator – Yana Malinovskaya<\/p>\n
Curator – Yana Malinovskaya<\/p>\n2014<\/h3>\n
Exhibition curatorship: Dimitri Konstantinidis, director of Apollonia, Daria Evdokimova, artistic projects manager, Apollonia, and Estelle Pietrzyk, director of MAMCS<\/p>\n2013<\/h3>\n
Curator – Maria Vilkoviskaya (Almaty)<\/p>\n
Curator – Lillevan (Germany)<\/p>\n
Curator \u2013 Kendal Henry(NYC)<\/p>\n
Curator \u2013 Gulnur\u00a0Kulkybaeva. \u00a0<\/em><\/p>\n
Curator – Valeria Ibraeva (Almaty)<\/p>\n
Curator –\u00a0Maria Vilkoviskaya (Almaty)<\/p>\n\u00a0<\/h3>\n
2012<\/h3>\n
Curator – Dmitriy Pilikin (SPb)<\/p>\n2011<\/h3>\n
\nPoetry<\/strong><\/h1>\n
2019<\/h3>\n
2018<\/h3>\n
2017<\/h3>\n
2016<\/h2>\n
2015<\/h2>\n
2014<\/h2>\n
Contacts<\/strong><\/a><\/h2>\n